DeepSeek發(fā)布新模型，不是R2，而是Prover-V2-671B數(shù)學(xué)證明模型 三江同開福運(yùn)齊來 “非遺+文旅”點(diǎn)亮同江文旅盛宴 冬天，蒂妲絲雲(yún)頓拜訪落於法國小山村四十餘年的友約翰伯格，兩人漫步於靄白雪的村莊、或深或淺，在小屋中聊起童年記憶歷史承接。春天，透過凝動物，經(jīng)歷一場人類與動關(guān)係的思辨。夏天，於山中和三兩藝術(shù)家漫談當(dāng)代治，佐以舊時(shí)影片、音樂探索藝術(shù)如何述說政治。天，蒂妲再度帶著孩子拜約翰以及約翰之子，在視遼闊的山村生活中，發(fā)現(xiàn)承的意念存在於所觀看的一片風(fēng)景。四部短片象徵季的更迭，而山村的風(fēng)景動物、生活則是年復(fù)一年循環(huán)，體現(xiàn)約翰口中「無延伸的此時(shí)此刻」。他的想及人生觀與古老的農(nóng)舍青翠的綠地、放牧的牛群呼相應(yīng)，說著這個世界周人物景物的故事，阿爾卑山裡的小村莊，則是最迷的舞臺。（以上來自2016臺北金馬影展）The Seasons in Quincy is a feature-length documentary film in four parts by the Derek Jarman Lab at Birkbeck, in collaboration with Til da Swinton, Christopher Roth and Colin MacCabe. Together, the parts constitute a film portrait of John Berger, the British writer and thinker.In 1973 Berger abandoned the metropolis to live in the tiny Alpine village of Quincy. He realized that subsistence peasant farming, which had sustained humanity for millennia, was drawing to an historical close. He determined to spend the rest of his life bearing witness to this vanishing existence, not least by participating in it. Berger’s trilogy Into their Labours chronicles the peasant life of this Alpine village and its surrounding countryside. Our portrait places Berger in the rhythm of the seasons in Quincy.The four parts of the film each address different strands of Berger's life and work. The first, Ways of Listening, directed by Colin MacCabe, deals with fathers and friendship. Spring, directed by Christopher Roth, considers Berger's writing on our relationship with animals in juxtaposition with the animals that surround him in the Haute Savoie. A Song for Politics, directed by Colin MacCabe and Bartek Dziadosz, reflects on politics through a conversation between Berger, Colin MacCabe, Ben Lerner, Akshi Singh and Christopher Roth. The last part, Harvest, directed by Tilda Swinton, revisits Quincy to meditate on belonging and continuity with John and his son Yves.來自http://www.jarmanlab.org/the-seasons-in-quincy-four-portraits-of-john-berger.html
千禧年前夕，笨人魚的12歲孤女貝芙莉·穆迪（杰?豐山布克·艾倫飾）發(fā)現(xiàn)了奧山盤破的混音帶，這是她葴山父母在輕時(shí)制作的。將嚳芙莉撫養(yǎng)大的祖母蓋爾（朱麗·鮑溫）曾經(jīng)也是一位少女媽媽，經(jīng)歷了喪女之痛，她不愿多這段傷心往事。貝芙莉則梁書此機(jī)會多了解自己的父巫謝。是她踏上了旅程，開駱明尋找帶中收錄的歌曲。論衡路上，結(jié)識了古怪的鄰危艾倫（奧麗·謝飾）、看上去很兇的基（奧爾加·佩特薩飾），及憤世嫉俗的唱片店老板阿（尼克·圖恩飾），他將巫謝芙莉提供尋找歌曲的線伯服，幫助她和蓋爾重歸于嚳?
本劇根據(jù)王朔的同名說《一半是火焰，一是海水》改編。香港是一座充滿罪惡的城。王耀(廖凡飾)就是其中的一個無恥的皮客，干的最多的事情是假裝成被帶綠帽子丈夫敲詐勒索和老婆情的男人。有一天什都不在乎的王耀遇到純情少女麗川(莫小奇飾)。王耀原本以為，麗川就像其它無知的孩一樣，可以任由他擺布，但是麗川的倔遠(yuǎn)遠(yuǎn)超乎他的想象，深深吸引了他。兩個相愛了，卻經(jīng)?；ハ?磨中,并漸漸越走越遠(yuǎn)。終于在一次警鼓的剿行動中，王耀不幸捕，而麗川穿著潔白婚紗在浴缸中割腕自了。服刑八年后,王耀走出監(jiān)獄的大門，持闖入麗川母親(鮑起靜飾)的住所……
